Saturday, November 27, 2010

On the Potomac

“Man's mind, once stretched by a new idea, never regains its original dimensions.”
~Oliver Wendell Holmes

Dear Brendan,

We've been encamped in Virginia for the better part of a month now. I can't say where-- the censors will take it out-- but I can tell you that I finally saw the sea. Saw it and floated on it and got sick and hope never to repeat! It's pretty though. Writing to you about it would be like writing about Heaven. I won't try.

They say Gen. McClellen won't move on Richmond till he has forty-thousand more men and that the President just plain refuses him. He's got to make due with the grand old army he's already got! Brendan, I've never seen so many men. I'd say they look like ants dressed in blue, except I never saw so many ants! If we need more boys than this, then I think the trouble is a long way from over.

I'm writing you on the chance that we are marching soon. I've seen some queer things since leaving Iowa, and met more strange folk than I could fit in ten letters. A lot of these boys have ideas about the world that would make us laugh back in Honey Creek. One man, in particular, keeps putting ideas in my head, where they twist and torment me like a fever of the brain!

This fellow-- a captain in my company named Sinclair-- doesn't look like too much. I think I told you about him in one of my earlier letters. In case I didn't, or the letter didn't reach you, here is Captain Sinclair once again:

He is shorter than most of the other officers, with a long face and drooping whiskers that make him look awful comical. He reminds me of your Pa's bloodhound, Terrence. He's got the same sad eyes that make you think he's slowly working out some great problem. His hair is red, but real thin on top, and because he's so short it's easy to tell. He usually wears his cap.

I thought, when I first saw him, that his men probably didn't respect him and that he must have the devil's own time getting his orders listened to. In fact, most of the men around here worship the Captain, and the ones that don't keep quiet about it.

I think it's because of the way he talks. Remember that fiery preacher that stayed in Honey Creek on his way across Iowa a few summers back? The one from New York City? Captain Sinclair talks a lot like him, except he never mentions our Lord Jesus Christ. Instead, he talks about Suffrage and Brotherhood till his sad, droopy face starts to move and turn red like he's just swallowed a hot coal. And when he's done, by God, Brendan, I think I'd walk alone into Hell for the Union!

Before the war, Captain Sinclair was a journalist in New York City and London, England. That must be where he learned to talk like such a gentleman. Even though he's an officer and a gentleman though, he's companionable and mighty fond of whiskey with the boys.

A few nights back it was rainy and muddy as ever, so a few of the boys opened a cask of O! Be Joyful! and sent me to fetch the Captain for a drink. I found the Captain sitting in his tent reading something by the light of a lantern. The book he held in his hands had been leather-bound against wear, but it was too thin to be the Holy Bible or Poor Richard's Almanac.

My curiosity was up and my manners undone by whiskey, so I asked the Captain the name of the book so important he had it bound in leather. Captain Sinclair was without his whiskey and I thought he'd be angry at my manner. Instead, he chuckled and tossed the book at me.

I opened it and tried to read the title for a long time.

Captain Sinclair asked if I could read and I told him I'd learned my letters, but I never came across these words before. The Captain drew a flask from his side and I realized he was already supplied with whiskey. He took a long drink.

He told me the book was something he'd picked up in London. It was a gift, he said, from a man who he'd gotten to know there. He was sent by the newspaper to interview this man, an exile from Prussia.

Why didn't they want him? I asked. The Captain just nodded at the skinny, little book in my hands. Ideas, said the Captain. Ideas that could bring down governments.

Like what the Rebels are fighting for? I asked.

Captain Sinclair made a face like he'd been bit by a snake. The very opposite, he said.

I tried to read the title. The Sommunist Manny...

Hard C, corrected the Captain. The Communist Manni--

--festo, I finished.

The Captain gave me a small smile and I felt his hound-dog eyes measuring me up and down like I was a young spruce tree and he thought there might be just enough wood in me to make a fine table.

That's right, he said, and then, Do you know what a Communist is Corporal...?

McPherson, I introduced myself. Then I made plain that before leaving home I'd never heard of a Communist, but that I'd come across a few when we were camped in Washington D.C. Most people in the capitol told us the Communists were against God and the Constitution.

The Captain looked at me with those sad eyes. They are, he said, against the Constitution as she stands, but not against what she should be. What she must be.

I could see preacher-fire in the Captain's eyes.

You're a Communist then, sir? I asked.

He nodded, saying, Since the day the Times sent me to interview Mr. Marx.
The Captain talked a good deal then about how you can think of all people, all society, as just one man. Early in every man's life, they say and do things that they'd never do once they get some experience under their belt. Sometimes they do things they'll sorely regret.

According to the Captain, the race of Man is still very young.

We are tiny parts in a great decision being made, said Captain Sinclair. This decision, he went on, this very war centers around the government's failure to recognize the Negro as the equal brother to the white man. It shows, he said, a 'willing blindness.'

Well, I sucked in my breath at that. A Communist was one thing, but the man was starting to talk like an Abolitionist!

I fight to preserve the Union, I told him. I can count on my left hand how many men here would fight and die for niggers.

The Captain got angry then. On my word, Brendan, he spit on my shoes! To Jeff Davis and the Devil with you! he yelled at me. You almost passed yourself an educated man!

I am educated! I defended myself. I know my letters, history, maths...

The Captain took another long sip of whiskey. Then he said, real slow, like to a child, We hold these truths to be self-evident; that all men...

...are created equal, I finished for him.

As I said it, I thought about Billy Rivers, back home, who uses his trousers as a chamberpot and makes animal noises instead of talking. I thought about Danial Yetsman, who never came across a difficulty he couldn't lick and has his pick of all the gals in Honey Creek whenever there's a dance. And that old line about 'all men' seemed like the grandest and silliest and most dangerous lie a man ever told.

I'll tell you something though, Brendan. I held my tongue to the Captain. He had a look on that bloodhound face like you see on a man fresh Baptized when he talks of our Savior on the Cross, or I might see in the mirror when I think of my Rosie, and the son's that, God-willing, we'll have some day. There's no use talking to a man sporting that kind of look on his face. I made to return the book.

But that old devil was too clever by half. He pressed it right back into my hands. I've just about got it memorized, he said. You take it. Give it a read and when you're done, tell me what you think. It's not long.

Then he stood, patted me on the shoulder, and led the way to the campfire where the boys were drinking O! Be Joyful! and singing to forget the hardtack and the mud.

Brendan, do you remember that poem they used to read us when we were young? The Rime of the Ancient Mariner. The sailor kills a big, fine seabird, an Albatross, for no real reason other than he can. And after that he's cursed. That bird forces him to suffer mightily without a moment's peace.

I was always mighty perplexed by that poem, but now I fear I'm beginning to understand it. This little pamphlet has become the bird around my neck, Brendan. I take it in my pocket with me wherever I go. You will think me a fool, but you cannot see-- possibly cannot imagine-- the sea of men swallowing the banks of the Potomac. Nothing in this world could stop them, and they fight for an idea. What is the idea I hold in my pocket? What makes a man like the Captain fight, if not God and the Union?

I'm determined-- tonight I'll sleep sound and tomorrow I'll read the thing and put my fears to rest.

Your Brother,
Cpl. Sean McPherson
Grand Army of the Potomac

5 comments:

  1. Ok, I have to put this out there first: One anachronism. I'm pretty sure that referring to the Germans as 'Huns' didn't happen until the first World War. I'm pretty sure it came about because the propaganda compared them to the Huns of old, sacking the civilized peoples of Europe. Also, it's pre-German unification, so referring to him a 'German' is also a bit anachronistic.

    :: adjusts his glasses ::

    Otherwise, I like this as an experiment in dialect, which you have often done well. Especially when working out the 'old-timey' speech. There were a few moments when the speech didn't quite seem right, but I can't be more specific than that. I would just recommend rereading it aloud and seeing how it feels. That may just be the dissonance that occurs when a half-literate man writes his usually verbal thoughts out.

    I'm not convinced that he can't read the title of the book, though. That seems incongruous with his otherwise verbose letter.

    The history nerd in me is excited that you place Communism in this context: back before the ideology failed the trials of real government. But also, as a former Communist, I can't help but dislike the Captain. That's just me, though.

    The actually progression of the story is alright. I like the build-up and the reveal, but as I said, I think the tension where he can't read the title is a little forced.

    I also like that you leave me wondering how this half-educated man is going to receive this ideology. You leave the story open and leave me interested in knowing more.

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  2. Yeah, upon rereading it, to say that he was 'an exile from Germany' doesn't make sense for the time period.

    Marx was from Prussia.

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  3. Damnit-- I just read this book on him where they continuously referred to him as 'German,' but yeah, upon checking wikipedia, Prussian it is. I just watched Ken Burns' documentary of the Civil War so I tried to get my American history right, but yeah, I kinda screwed up on the German stuff.

    Also-- fucking Civil War writing. The bitch is that even though they talk like a bunch of farmers, one has to assume that they don't write that way, so we keep our g's in ings and all the rest. After checking out a bunch of the old letters, a lot of these guys were super eloquent writers, but how do we show the rougher edges. Yeah, I struggled with that more than anything, because even when I heard this guy talking in my brain he deviated between yokel-speak and this decorous civil war style.

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  4. Well, I'm only harping on the German point because none of his contemporaries would've referred to 'Germany' because it didn't exist yet. It makes for a historian to refer to him as German, since he is from a place that would later be Germany.

    As for the speaking bit, I think you're totally right. Walking that line is hard because it wavers between eloquence and vulgarity. You do it well. I think that's why it comes off as uneven, because that's how it was.

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  5. I think this has a lot of potential, and I appreciate how fluid and sophisticated your writing is. Some thoughts on improving it:

    I agree with Jason that it's difficult to believe that this narrator can't read the words Communist Manifesto, given other things that point to his erudition. He says he knows "his letters" but can write quite a nice letter, knows/understands the Rime of the Ancient Mariner, etc.

    My other criticism is that, although I really like the premise that the narrator is nervous to read about such a powerful idea, the end is not really convincing because I never got a strong impression of McPherson's own attachment to God and the Union. He mentions it a few times, but it sort of reads like boilerplate. Add to that the fact that McPherson cites Sinclair himself as a source of inspiration for fighting for the Union, and it becomes a bit difficult to swallow that McPherson could be so affected by that conversation. I think the story would benefit if you spent more time in the beginning developing McPherson as a character and his commitment to his beliefs and a little less time on the physical appearance of Sinclair.

    The section on the idea that all men are created equal is quite good, I think, but I am curious why McPherson thinks it's a "dangerous" lie.

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